My World My Way, by E-Saggila

My World My Way

by E-Saggila

supported by

deadshotkeen Ferocious, compelling, pure class. The thing I love about this artist's work is that there's a clear nod to industrial and the harder edge of techno but still with a fluid club feel. Not easy to pull off. These are the thinking person's floor-fillers. Favorite track: Pattern Obligation.

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Limited Edition Grey/Marbled Vinyl
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Includes unlimited streaming of My World My Way via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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Black Vinyl LP
Record/Vinyl + Digital Album
Includes unlimited streaming of My World My Way via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.	Aziza 05:07	buy track
2.	Crimson Liquescence 05:00	buy track
3.	Stars Dying in Succession 03:45	buy track
4.	Alia ft. Thoom 03:21	buy track
5.	Pattern Obligation 04:40	buy track
6.	My World My Way 04:11	buy track
7.	One Last Midnight ft. Oil Thief 03:42	buy track

about

The wicked intensity of Toronto's E-Saggila takes on novel limits for her new album for Northern Electronics. Constructed out of her live works, there's a lack of restraint on 'My World My Way' that could only be forged in the moment.

Following on from last year's album for BANK Records NYC, E-Saggila has put together something that addresses the club and the headphones in equal measure. Taking the approach of a documentarian of our virtual landscape, there's a deep motive that underpins the heavy digital signal processing. With plenty of storming mechanical rhythms that embark from gabber's chaotic neighborhood, the samples of voices, conversations, and phone calls, all wind the listener around the desperation that's embedded in the digital world's seamless mediation of our lives. Owing as much to power violence and industrial as to Rotterdam, E-Saggila's affinity for the extremes is as conceptually critical as it is stylistically present. Riding the BPMs high, and binding this all together with ambient music's sensibilities, 'My World My Way' moves in sharp strides between a political statement and a dancefloor assault.

credits

released August 2, 2019

Recorded by Rita Mikhael in Toronto, Canada 2018.
Special thanks to Max, Jordan, Zeynab, and Lee.
Mastered by Neel at EnissLab, Rome
Art by Ivan Chebotarev

license

about

Northern Electronics Stockholm, Sweden

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